PAINTINGThe figure painting follows my well known method of working from dark to light shaded up from a black undercoat. This three or more colour painting method uses successive tones of colour (shade, middle and light) which are added to the model in layers, working up from dark to light. This creates a bold three-dimensional effect of shadows and highlights, the layers of colour giving greater depth and subtlety to the model. For the facial detail and for the eyes I used an Insane Detailbrush. For the rest of the model I used a WarpaintsDetail brush.THE DRAGON LADYAlthough I didn’t have an illustration of The Dragon Lady to work from in the book In Her Majesty’s Name, her style of clothing and headdress is very reminiscent of a 19th century Mongolian Princess in traditional robes (also not to dissimilar to a certain queen in a galaxy far- far-away!). So I based her costume on that, making sure I had lots of gold decoration and trying to keep my colour palate for her very much Chinese in style.EYES & FLESH The Dragon Lady, has a very smooth face as you would expect, almost mask like, but she does have well defined eyes and facial features, all marks of another Steve Saleh masterpiece.I wanted the Chinese Company to have a noticeably different skin tone from the Europeans and Egyptians so planned my painting accordingly, the skin tone is slightly exaggerated but I think it needs to be so that it is noticeable, on such a tiny model on the tabletop. EYES 1.Her whites are AP-WP1102 - Matt White2.The irises are pure AP-WP1124 - Oak Brown