PAINTINGThe figure painting follows my well known method ofworking from dark to light shaded up from a blackundercoat. This three or more colour painting methoduses successive tones of colour (shade, middle andlight) which are added to the model in layers, working upfrom dark to light. This creates a bold three-dimensionaleffect of shadows and highlights, the layers of colourgiving greater depth and subtlety to the model. For thefacial detail and for the eyes I used an Insane Detailbrush. For the rest of the model I used a WarpaintsDetail brush.THE DRAGON LADYAlthough I didn’t have an illustration of The Dragon Ladyto work from in the book In Her Majesty’s Name, herstyle of clothing and headdress is very reminiscent of a19th century Mongolian Princess in traditional robes(also not to dissimilar to a certain queen in a galaxy far-far-away!). So I based her costume on that, making sureI had lots of gold decoration and trying to keep my colourpalate for her very much Chinese in style.EYES & FLESH The Dragon Lady, has a very smooth face as you wouldexpect, almost mask like, but she does have well definedeyes and facial features, all marks of another SteveSaleh masterpiece.I wanted the Chinese Company to have a noticeablydifferent skin tone from the Europeans and Egyptians soplanned my painting accordingly, the skin tone is slightlyexaggerated but I think it needs to be so that it isnoticeable, on such a tiny model on the tabletop. EYES 1.Her whites are AP-WP1102 - Matt White2.The irises are pure AP-WP1124 - Oak Brown