PAINTINGThe figure painting follows my well known method of working from dark to light shaded form a black undercoat, the method is explained in full detail in Foundry MiniaturesPainting & Modelling Guide, and Kevin Dallimore’sPainting & Modelling Guide: Master Class. This three or more colour painting method uses successive tones of colour (shade, middle and light) which are added to the model in layers, working up from dark to light. This creates a bold three-dimensional effect of shadows and highlights, the layers of colour giving greater depth and subtlety to the model. For the facial detail and for the eyes I used an Insane Detail brush. For the rest of the model Iused a Warpaints Detail brush.I paint the eyes first so I can get them right before doing the rest of the model, as if the eyes are not good it will spoil the rest of the paint job! Then I paint the flesh, and then the rest of the model. Lastly don’t get too much paint on your brush, less than a third of the way up the hairs on the brush in the paint is plenty, never dip the brush all the way up to the metal ferrule, or you will ruin that brush in short order.
SIR CORBETT GREERSONAs the roguish leader of his company he needed a stylish paint job. It is nice to have a picture to work from, very much what I used to do with my old Osprey books in the past painting more historical models!UNDERCOATINGUndercoating is essential as it provides a consistent surface on which to apply the next coats of paint, and it shows up the detail on a model much more clearly than shiny bare metal. For the undercoat I used Humbrol enamel matt black.THE PAINTI used Army Painter War Paints to paint Sir CorbettGreerson, mixing up colours to suit my style and preferences. The Mega Paint Set provides an adequate range of colours for almost all needs, but you will often need to mix colours to get the desired results, however I have tried to work out colour combinations to reduce mixing a somewhat. Don't be afraid to try out other combinations than the ones I have listed here.