PAINTINGThe figure painting follows my well known method ofworking from dark to light shaded form a black undercoat,the method is explained in full detail in Foundry MiniaturesPainting & Modelling Guide, and Kevin Dallimore’sPainting & Modelling Guide: Master Class. This three ormore colour painting method uses successive tones ofcolour (shade, middle and light) which are added to themodel in layers, working up from dark to light. Thiscreates a bold three-dimensional effect of shadows andhighlights, the layers of colour giving greater depth andsubtlety to the model. For the facial detail and for the eyesI used an Insane Detail brush. For the rest of the model Iused a Warpaints Detail brush.I paint the eyes first so I can get them right before doingthe rest of the model, as if the eyes are not good it willspoil the rest of the paint job! Then I paint the flesh, andthen the rest of the model. Lastly don’t get too much paint on your brush, less than athird of the way up the hairs on the brush in the paint isplenty, never dip the brush all the way up to the metalferrule, or you will ruin that brush in short order.
SIR CORBETT GREERSONAs the roguish leader of his company he needed astylish paint job. It is nice to have a picture to work from,very much what I used to do with my old Osprey booksin the past painting more historical models!UNDERCOATINGUndercoating is essential as it provides a consistentsurface on which to apply the next coats of paint, and itshows up the detail on a model much more clearly thanshiny bare metal. For the undercoat I used Humbrolenamel matt black.THE PAINTI used Army Painter War Paints to paint Sir CorbettGreerson, mixing up colours to suit my style andpreferences. The Mega Paint Set provides an adequaterange of colours for almost all needs, but you will oftenneed to mix colours to get the desired results, however Ihave tried to work out colour combinations to reducemixing a somewhat. Don't be afraid to try out other combinations than theones I have listed here.