working from dark to light shaded form a black undercoat,
the method is explained in full detail in Foundry Miniatures
Painting & Modelling Guide, and Kevin Dallimore’s
Painting & Modelling Guide: Master Class. This three or
more colour painting method uses successive tones of
colour (shade, middle and light) which are added to the
model in layers, working up from dark to light. This
creates a bold three-dimensional effect of shadows and
highlights, the layers of colour giving greater depth and
subtlety to the model. For the facial detail and for the eyes
I used an Insane Detail brush. For the rest of the model I
used a Warpaints Detail brush.
I paint the eyes first so I can get them right before doing
the rest of the model, as if the eyes are not good it will
spoil the rest of the paint job! Then I paint the flesh, and
then the rest of the model.
Lastly don’t get too much paint on your brush, less than a
third of the way up the hairs on the brush in the paint is
plenty, never dip the brush all the way up to the metal
ferrule, or you will ruin that brush in short order.
stylish paint job. It is nice to have a picture to work from,
very much what I used to do with my old Osprey books
in the past painting more historical models!
UNDERCOATING
Undercoating is essential as it provides a consistent
surface on which to apply the next coats of paint, and it
shows up the detail on a model much more clearly than
shiny bare metal. For the undercoat I used Humbrol
enamel matt black.
THE PAINT
I used Army Painter War Paints to paint Sir Corbett
Greerson, mixing up colours to suit my style and
preferences. The Mega Paint Set provides an adequate
range of colours for almost all needs, but you will often
need to mix colours to get the desired results, however I
have tried to work out colour combinations to reduce
mixing a somewhat.
Don't be afraid to try out other combinations than the
ones I have listed here.